of his attraction to the screenplay during a recent video call. “The fact that there were no conventional scenes. The fact that I knew it had to be shot in chronological order was interesting. The fact that it’s basically one actor.About that “one actor” comment – remarkably, it’s true.
These are things I’m playing with. I’m not seeing acting. I’m not thinking about that. I’m doing things. Q: As time trapped inside passes, the art seems to matter less to Nemo. How did you view his psychological journey vis-à-vis his appreciation of the art? Q: The mural that Nemo makes starts as a single eye and grows to cover the entire wall. What does it say about Nemo’s internal journey?
A: I’m always inspired by going to art galleries and visiting friends’ studios. There’s many things I enjoy about performance art. These are things that are mysterious and they make you think in a different way. And that’s always a gift because there’s a tendency to kind of circle up the wagons, get your opinions, get your thoughts, and kind of your life is about protecting those things.
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