Inside review: Being stuck in a room with Willem Defoe is pretty thrilling

Still, that Nemo is an artist—at least twice, his voiceover tells us that his sketchbook is among his most-prized possessions—comes in handy to the lonesome fighter. Throughout, he operates like an engineer-cum-installation artist, capable of building a makeshift escape ladder to the skylight of the apartment’s impossibly high ceilings. Before that, he carves a hole in a handsomely ornate wood door frame only to hit its steely foundation.

Throughout this one-location nail-biter, you can unambiguously see the collaboration between Katsoupis, Hopkins and Sabel expanding the story’s scope in ways both economical and smart and with the backdrop of a distancing and icy Brutalist aesthetic. Also noteworthy is Bigazzi’s cohesiveness—the artworks he’s selected focus on the eyes, creating a collectively spine-tingling sense that Nemo is constantly being watched from within.is in the eye of the beholder.

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