, who starred in Tavernier’s 1980 science-fiction thriller “Death Watch.” In an exclusive interview withTavernier talked about the influence of American and French cinema traditions on his own films.It’s great to be here and I’m particularly delighted to have the chance to spend some more time with. When I was casting “Death Watch” in 1979, Harvey was my first choice for the main character, a TV reporter who had cameras implanted in his eyes.
You have written a lot about Hollywood cinema, including your recently republished book of interviews, “Amis Americains,” and your new book “100 Years of American Cinema” which will be published in a few months’ time. What have you learned from these many years of interaction with American cinema? Interviewing some of America’s greatest directors was a kind of film education for me. For example I did rare interviews with writers and directors who were blacklisted. I also did an interview with Henry Hathaway, which I’m very proud of. With John Ford there are many things that are unique because we spent 12 days together. I also learned a great deal from the directors who arrived by accident in America because of exile, people like Otto Preminger, Fritz Lang, or Jacques Tourneur.
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