to the series for the first time since “Terminator 2: Judgment Day,” and at moments the film almost seems to be saying to its fan base, “Okay, we admit it, the last three ‘Terminator’ films sucked. They were action-movie fodder of diminishing returns, movies that spun their own wheels. So guess what: Forget all about them. Pretend they never existed. This, take our word for it, is the real third installment of the series.
When we meet Dani Ramos , a young woman working with her brother on an assembly line in Mexico City, she seems the quintessence of unremarkable, and that’s by design. Dani is the equivalent of’s Sarah Connor in the first “Terminator” — a woman who must be protected, because it’s her fate to give birth to a future leader of the war against the machines.
As the film’s relentless Terminator baddie, Gabriel Luna sports a purposeful glower that marks him as the next-generation rendition of Robert Patrick’s scowling cyborg assassin in “T2.” It’s not just the prototype of the character who has gotten an upgrade; so have the shape-shifting effects that define him. Like the cutting-edge model of an old Apple product , “Terminator: Dark Fate” revels in the new metal, which is to say: black tar is the new mercury.
The real wild card of “Dark Fate” proves that even the most classic element of this series can become new again.plays Sarah Connor as an outlaw who’s been knocking off Terminators ever since Arnold’s T-800 killed Edward Furlong’s John. Hamilton, in rough hair and aviator shades, pointing guns the size of cannons, anchors the film with a regal sort of been-around-too-long-to-give-a-f—k Madame Max charisma.
Vital or viable?
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