‘It was about looking and questioning’ said Anderson backstage after his S/S 2020 show. ‘The ability in fashion of being able to refocus.’ And there was plenty to look at inside the designer’s usual bleacher-lined Bloomsbury show venue. Draped one sleeve dresses with a rhinestone smattered infinity-shaped breast pieces and belts, lurex harem pant suiting, colourful fringed shirting, splodgy Dalmatian prints and leather drawstring pouches slung in threes over the shoulder.
Take boned blazers, their fronts ‘blown up in Marie Antoinette style’ and backs deflated, bejeweled sandals designed to barely stay on the foot and beaded daises covering breasts inspired by ‘1970s iconography.’‘It was about the idea of ephemera,’ Anderson added, referencing the show’s venue set up, which featured the artwork, by Vancouver-based artist visual artist Liz Magor, made up of boxes of transparent plastic museum casings, holding colourful childhood toys.
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