The Bear is purposefully loud. There’s hardly a moment to breathe as characters yell and yap over each other, and we wouldn’t have it any other way. Carmy’s and Richie’s fights drown out the noise of utensils in a very busy kitchen. Words like “hands,” “yes, Chef” and “behind” are delivered at a high volume. And chances are you’re still reeling from the effective commotion of season two’s “Fishes.
“Tomorrow” offers precise glimpses into Carmy’s happier times in Copenhagen or when he’s focused on cooking, bolstered with soft rhythms. These get increasingly scratchy when flashes of Claire infiltrate his head. Or when Joel McHale shows up to whisper “Fuck you” to his mentee. Whether it crescendos or drops, the music is as relentless as the impressions he is holding onto for dear life. . Another advantage of using the instrumental is that it lets “Tomorrow” focus on every day’s minutiae.
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