On 'Here in the Pitch,' Jessica Pratt's pop seduces listeners into a Los Angeles noir

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The singer-songwriter's fourth album is her best yet, with crisp, commanding songwriting, shades of '60s baroque pop and melodies that seem to have existed forever.

's divine precision attunes the present to the past with an alchemy that feels outside time completely. You already know the echo and boom that open the folk mystic's fourth album,drumbeat on"Life Is" that has traveled from The Ronettes through more than half a century of American music.

Maybe it is a coincidence that Pratt's"Life Is" interpolates a beat connected to a genius of California dreaming — Pratt is among those disciples who consider" — and his impending breakdown. But it befits her stated immersion into LA's sinister cultural mythologies on this preternaturally lucid album: the Manson Family lore and helter-skelter violence, the underbelly of Kenneth Anger's.

From Pratt's classic universe, the song will likely go forever, too — sung, sampled maybe, subconsciously recollected by musicians who don't know it yet — taking its journey through the collective march of time like a meditation in an emergency, the sound of a dream becoming reality.UC San Diego protesters say they're committed to keeping the peace

 

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