Walking south on Vine Street past the Capitol Records Building, musician Jessica Pratt was reminded of the first time she visited her current home of Los Angeles. It was 2011, and she had recently watched “Mayor of the Sunset Strip,” a documentary about the infamous DJ and nightclub owner Rodney Bingenheimer, which lays bare the glitz and sleaze of the ’70s music scene.
But the drums quickly retreat again, and the record is at points sparse and sinister. In other words, it’s still clearly a Jessica Pratt production — one where restraint is just as much a factor as the ornate melodies and her idiosyncratic voice. “Here in the Pitch” runs just 27 minutes, and Pratt spent three years making it, returning over and over to a studio in New York, tinkering with every arrangement, waiting until it all felt just so.
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