Kirby portrays her musical story as a mutation of a childhood dream. As a girl, she was obsessed with Britney Spears and other pop stars, and convinced that she was destined to become one.
In June, the venturesome English label Ninja Tune plans to release Kirby’s début album, “Prism of Pleasure,” which will be pressed onto marble-pink vinyl, to underscore its theme, which Kirby says is “queer pleasure”; the cover captures her in what looks like a steamy and well-populated bathroom. In a sense, the album marks the rebirth of Kirby’s singing career, only now her voice is not an accompaniment to the music but part of it.
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