The Black Keys Get By With a Little Help From Their Friends

In our latest Digital Cover Story, Dan Auerbach and Pat Carney talk writing and recording with Beck and Noel Gallagher, how a burned mix ofled to their lifelong affinity for hip-hop and how their DJ sets became a crucial part of their musical DNA on their 12th and latest album,The first band I ever discovered on my own without the influence of my parents of the algorithms of YouTube was the Black Keys.

One day after that set, the Black Keys found themselves at the Roseland Ballroom in Manhattan, playing for a crowd of 3,000 people. A couple of streets over, Jennifer Garner was hosting. Beck was there as the musical guest, playing “Lost Cause” and “Guess I’m Doing Fine,” and there was set to be a VIP hang once the goodnights were finished. “After Sleater-Kinney was done, they came into our room and were like, ‘Do you want to go to thisafterparty?’” Carney says. “We were like, ‘Hell yeah we do.

Per Bither’s sequencing, it was cosmic happenstance that the song he chose to open the album was, actually, the first thing Auerbach and Carney made for it—the first song they wrote with Beck back in 2022, “This is Nowhere,” which has the pop chameleon’s fingerprints on it. It’s the best Black Keys song that sounds nothing like a Black Keys song. Beck has songwriting credits on half of, and it’s his contributions that set the album aglow more than anyone else’s.

“And, having been through pretty much every experience you can have as a band—from playing small shows to getting Grammys to going through hard times—the things that were relevant and meaningful and are signifiers of success became pretty clear to us, and it was having fun and making music and making songs that resonate with people,” Carney adds. “Everything else was kind of irrelevant. It all just became pretty pure, and it’s felt that way for the last couple of years.

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