Book Dissects the Music—and Madness—of A-List Classic Rock Drummer Jim Gordon

He was arguably rock’s greatest drummer, or at least on the short list. An inventive percussionist who lifted about everything he played on, he often came up with his drum licks, beats and fills on the spot in the studio or on stage.He played with three of Classic Rock’s greatest collectives: Delaney & Bonnie and Friends, Joe Cocker’s Mad Dogs and Englishmen and—most memorably—as one of Eric Clapton’s playing pieces in Derek & the Dominos.

Utilizing first-hand interviews, court and medical records, and music histories, noted music journalist Joel Selvin unravels Gordon’s life, legacy, and liabilities in“Jim is qualified to be on any elite list of ‘Greatest Drummers’ because he expanded the vocabulary of the drums beyond,” Selvin says via Zoom in his home office, waving a lit cigar in hand and sitting in front of shelves of vinyl records and wall posters of old rock, R&B, and blues performers.

But the day after Gordon died, Post reached out to Selvin saying that the family wanted help with putting out a press release. The experience with Selvin went well, so they decided to participate with new interviews and opened family archives for the book. It allowed Selvin to add some more depth and detail to“They’ve all read the book, and are powerfully affected by it,” Selvin says. “Jill said she can stop beating herself up now for thinking she didn’t help Jim enough. Jimbe helped.

It wasn’t the last injustice that Gordon would inflict upon Coolidge, and it concerns perhaps his most famous recorded bit: the piano coda on “Layla,” which features both himself and Dominos keyboardist Bobby Whitlock in a composite edit. Or, if you’re a fan of the movieCredible evidence and firsthand recollections suggest that the music was actually Coolidge’s, from her song-in-progress called “Time.

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