The Associated Press is an independent global news organization dedicated to factual reporting. Founded in 1846, AP today remains the most trusted source of fast, accurate, unbiased news in all formats and the essential provider of the technology and services vital to the news business. More than half the world’s population sees AP journalism every day.This image released by Universal Pictures shows Ellen Burstyn, left, and Leslie Odom, Jr. in a scene from “The Exorcist: Believer.
Hollywood’s propensity for reaching back to old classics may be, by now, enough to inspire the kind of projectile vomiting Friedkin made famous. “The Exorcist: Believer” was produced by Blumhouse with the intent of launching a new series of films, but it feels guided largely by affection and respect for Friedkin’s original rather than more cynical motivations.
Thirteen years after the death of his pregnant wife in an earthquake in Haiti, Victor Fielding lives with his 13-year-old daughter Angela . They are close and Victor is a little overprotective. When Angela and a friend Katherine walk through the woods after school and start performing a seance by candlelight, it’s not hard to guess where this might be going.
If “The Exorcist” seemed to summon demons, the best “The Exorcist: Believer” can do is to conjure tropes. Fingers claw. Heads turn. Bodies levitate. Once the film gets both possessed girls tied down in chairs, back to back, with a cobbled-together team of spiritual defenders around them, “Believer” bogs down in a prolonged torture chamber of horror cliches.
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