African queer films often navigate unique social, cultural and political challenges - such as deep rooted homophobia and colonial legacies. They explore the complexities of being both queer and African, and often incorporate traditional cultural elements. These films contribute to a broader global discourse on queer issues while offering distinct perspectives and narratives.The main argument is in two parts. Firstly, I argue that the body is central in understanding queerness in African film.
Secondly, I contend that it is important to think of how queer bodies come into being in different parts of the continent. I undertake a pan-African reading of films from various regions to emphasise not only the differences in how they depict queer bodies but also the shared experiences that transcend regional and cultural differences.
One of the main differences between films north and south of the Sahara is the openness of depicting queerness. In north African films, queerness exists in silence and is expressed through suggestive language. In sub-Saharan films, there is a move to more unconcealed representations. But the films capture the cultural and social realities of the societies being portrayed.Some were better known than others.