, at least, is especially attentive to bodies, and not only when they’re rolling around in bed. In the opening scene, Rogowski’s Tomas is on the set of his latest film, growing increasingly incensed with the way his lead actor is walking down the stairs. First it’s the way his arms move that is wrong, then his hands, then the speed at which he enters the room, and to top it all off, there’s an extra who’s pretending to drink from an empty wineglass.
It’s not explicit in the way that term is usually used: She keeps her underwear on, and he’s in such a hurry he gets his pants only halfway off, exposing slightly more than he might in a Speedo. But this isn’t the kind of sex scene where two actors flail around on top of each other in short, soft-focus shots until the actress pretends to climax.
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