and calmly compelling as a police officer facing off against mutants in this summer’s French hit “The Animal Kingdom.”Each one is its own beguiling proposition, but “Passages” feels like a fitting summation of how far she’s come since “Blue” while staying true to the searching spirit of her breakout moment. “This past two years, I’ve had a chance [to be] in really good movies,” Exarchopoulos says. “Good stories, good directors, good characters.
and why she’s stayed in touch with “Blue” director Kechiche. This interview has been edited for length and clarity.that she’s in a relationship with a manipulative narcissist. It’s easy forMy challenge was that I didn’t want her to be a victim and for people to see her like, oh, she chose to suffer. I wanted to make someone with dignity and empathy. Even if she doesn’t understand all the reasons why she’s falling for this guy, you can relate to her.
It was funny that he didn’t see it. When he told me, of course I never dared to say, “You should watch ‘Blue’!” I think Ira wanted something really natural, and he chose well: Ben [, her “Passages” co-star] has this natural mystery, Franz has this kind of femininity and masculinity and I was the Parisian girl, but in a natural way — not just something chic. He’s able to really observe, and he’s someone with no judgment.t’s not like you’re resting on that film’s laurels.
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