Asteroid City, the fictional town, is the nucleus of the film, cowritten by Anderson and Roman Coppola. And the life-transforming, world-changing event in the middle of it offers a new perspective on the idea of aliens as metaphors. Is this concept unique? No, it goes back to at least H. G. Wells.
When Anderson’s extraterrestrial first appears, the townspeople are stunned but blasé. War photographer Augie Steenbeck merely notes that the alien stole the famous meteorite on display. But then he and the rest of Asteroid City’s residents begin to process its significance. Later Steenbeck tells the actress Midge Campbell , who like him is struggling with her mental health, “Did you see the way it looked at us? Like we’re doomed.
Characters in Anderson’s movies often appear disconnected, floundering as they try to emotionally interact with their scene-mates, and when they do show feeling, it seems like a breakthrough. For him, then, to make this kind of movie is a cunning twist, dropping an extraterrestrial into a space full of alienated people and watching them try to figure out how to relate.
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