, which are among the most representative examples of the supposed Wes Anderson look.
Never has it been clearer that these memes are actually a disservice to Anderson’s work than when looking at his new film,does feature much of the idiosyncratic visual panache we’ve come to expect, the director’s application of his own style is his most advanced yet. Instead of simply relishing in his own aesthetic, he uses it to reveal something deeper about the cast of characters.finds Wes Anderson operating at his most existential.
The film is astonishingly beautiful to look at, but especially during these segments. There, Anderson’s typically colorful aesthetic is ever-present; the odd town is full of soft shades of orange and turquoise. The pale sand stands in contrast to these pops of much sharper color. But the color palette is more than just eye candy: They highlight a harsh contrast between an idealized life and the empty, wistful realities that these characters endure.
Their teen children similarly develop feelings through their shared existential musings. “Sometimes I think I’d feel more at home outside of the Earth’s atmosphere,” Woodrow, Augie’s son, admits to Dinah, Midge’s daughter, in one such chat. Unlike her talkative mother, the only thing Dinah can do is stare back in silent agreement.
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