was especially meaningful because she and her fellow collaborators were able to bring a bit of Black joy to a genre that has traditionally been rather unwelcoming to Black actors and characters until recently. Looking back, Robertson now realizes that her feelings about the genre were always more complex than just being afraid of jump scares and boogeymen.
I mean, I’ve never been one to watch a lot of horror movies. Somewhere around high school, people would have conversations about horror movies, and they’d be like, “Y’all ever notice that the Black person is the first person to die?” And to be perfectly honest, it wasn’t until someone said it that I started to really pay attention, and then it became like a bet.
It’s a little bit of both. To be perfectly honest, because people of color — and Black people specifically — weren’t valued in the horror space, it never made me feel like it was a space I wanted to veer towards. But I also had some pretty cruel cousins that liked to scare me a lot. So it put me in a world where I was a little bit of a fraidy cat, and I stayed away from the genre anyway.It was pretty unusual because it was at the height of Covid, so everybody was doing these weird self-tapes.
I regret more and more that I don’t keep in touch with people as much as I should, so I do admire that these college friends are at least trying to stay in each other’s lives. Do you feel this type of regret often, considering movie and TV sets can become like family in a short amount of time before everybody scatters across the world?
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