Movie Review: Spider-Man: Across the Spider-Verse

) answers a question that has been plaguing fans of Sony's Marvel spinoff: The illustrated"Spider-Verse" is definitely part of the extended MCU's now incredibly complicated multiverse, with infinite dimensions filled with infinite alternate timelines and therefore infinite webheads.

However, there are still some constants: Most importantly, that every Spider-Man has known life-shaping loss. The death of a loved one – referred to here, in a nod to comics lore, as a canon event – is what makes Spider-Man/-Woman/-Horse who they are as much as being bitten by a radioactive arachnid.

And that's all necessary because of how many Spideys there are. The action begins not with Miles, but with Gwen Stacey aka Spider-Gwen, who lost what she thought was the only person she could really talk with about being a superhero when the dimensional rift that brought her to Miles closed. Now reality-hopping is back on the table, bringing with it both a new villain-of-the-week in the seemingly hapless Spot and all the other Spideys.

writer David Callaham. Instead, the film flips and whirls like Spidey himself, breathlessly switching from breathtaking action to touchingly quiet and tender emotion.isn't just mind-bending spectacle – although it definitely dazzles in every frame. It's mind-bending spectacle in service of a thrilling story about a teenager facing the horrifying possibility that he can't fix everything.

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