in her hometown of Los Angeles. “It’s rare to be home right now and the fact that I get to be home in general, but, like,is such an honor,” she says, standing on the balcony of her hotel room, which overlooks the hills’ lush greenery and the entire west side of the city. “They've been so kind to me and have continuously lent me pieces that I have just felt so in my skin while performing, and I think it's really special.
Just hours before Virginie Viard’s latest collection was set to debut at Paramount Studios, Abrams welcomedinto her room at the Hotel Bel-Air as she prepared for the night’s festivities. As the sounds of Lana Del Rey’sspilled out of her room, Abrams—dressed in a billowing white nightgown and black flats—looked as though she was an angel at the gates of heaven. “Every time we are together we listen to strictly Lana,” she says, gesturing to her glam team: hairstylist Bobby and makeup artist LJ.
Contrasting her more accentuated glam, Abrams selects a more casual look that meets at the intersection of her personal style and tour outfits. “I'm normally a jeans and T-shirt person all the time,” she says. But lately she’s been playing with more feminine pieces. “My priority is being able to move and breathe the most freely on stage,” she adds. “So the dresses and the flats and all that definitely feels a little bit newer, but I've never been more comfortable.
While cutting her teeth as an opener, Abrams has learned a great deal from her mentor, Swift. But she has perhaps been most awed by the diehard Swifties, who have welcomed her with open arms. “I haven't worried about judgment because her audience is so amazing,” she says. “Everyone who's there is there to absorb the storytelling in music and so it’s nice to feel free.” Not to mention, she adds, “it's like Christmas every single time I've played a show.
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