There is always room for a good time. As much as the world needs thick-skulled musicians creating triumphant clarion calls towards the mission of keeping the party alive, there is also a need for commiseration in the low times. Seeing yourself within sad art proves that you are not some invisible apparition. Your moping posture can still force the air to move around you.
Larson’s rich tenor is a thing to behold and is ultimately what elevates this project to its many spectacular heights. At times it can feel as if Jim James’ buttery croon was folded in with Van Morrison’s penchant for taking courageous melodic risks. But, perhaps the closest comparison to make would be to the idiosyncratic style of Miracle Legion and Polaris singer Mark Mulcahy.
The sheer scope of the record is perhaps its Achilles heel. At an hour and seven minutes over 11 tracks, the bloat ofcan cause it to drag in certain stretches. This is especially evident when the most uptempo track on the album—the wistful Jackson Browne-evoking “Longing”—doesn’t appear until the eighth spot. You can’t fault Larson for letting each composition ruminate and build to its logical conclusion.
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