Jonathan Majors shortly after slides into a table in the back of the bar at the Chelsea Hotel in Manhattan. On the table he places a small cup off to the side. In his backpack he has pens, a notebook he writes poetry in, a clown nose, the book he's reading and a speaker for music. He doesn't go anywhere without Paulo Coelho's"Warrior of the Light."
To everyone else, Majors is moving very fast, indeed. After breaking through in 2019's"The Last Black Man in San Francisco," the 33-year-old Majors has been steadily bulking up as an actor, expanding his formidable screen presence in"Devotion,""The Harder They Fall" and"Lovecraft Company," which earned him an Emmy nomination.
"Though I've not seen the boogeyman, I know it's out there," Majors says, smiling."And I've been around to know it's comin'. I won't go down my rabbit hole of death, but it's comin'. But you outrun it. You just stay out of the frame. I'll stay out of the frame, make my work." Majors, who has a 9-year-old daughter, grew up poor. His family were at times briefly homeless. His father was absent for most of his life. But putting that rags-to-riches narrative -- that frame -- around his journey as an actor is something that doesn't quite fit. Majors has no"insta-trauma," he says, to fuel him.
"The intelligence that he has and the instincts he has an actor are one thing, and those are wonderful," says Bynum."But his understanding and feeling for people is really what separates him."
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