My thoughts about the best developments in art this year are eclipsed by my grief for the worst: the death, in October, oflongtime art critic. Peter’s superb prose was informed by his early days as a poet, and his use of language was as edifying as it was pleasurable. But, unlike the voices of some master stylists, his never ossified into glibness. He always hoped to be surprised by a work of art, not to have his preconceptions confirmed.
One contributing fact is that the connoisseur class, collectors and museum curators alike, insist that the art-fair circuit—essentially a farcically far-flung and fast-paced shopping spree—is a vital context for art. In 2022, galleries schlepped their wares to fairs in Basel, Dubai, Hong Kong, London, Miami, Paris, and Seoul . Six landed in New York City in May, with five more stuffed into the already hectic first week of September, the official kickoff of the new art season.
Which Gallery in NYC wants to represent my Art Chairs? gonzomarketing
It’s fun you think data from 2015 is relevant in the 2023 art market. This shit moves fast, and is wildly responsive to small changes in the local and global economy. Art Data from 2015 is useful, in the way commodities data from 1980 is useful.
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