Amid Many ‘Safe’ Films, a Few Are Acts of Daring

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Film fans often gripe that Holly­wood has no imagination, failing to understand that studios try to give audiences what they want. Franchises and sequels keep the lights on. However, some filmmakers and studios took risks this year. Read about them here:

fan base and horror aficionados by making a sensitive tale of young love and society’s collapse — and using cannibalism as a metaphor for these ideas. It works. As a bonus, he gives great roles to veterans of his earlier films, including Chalamet, Jessica Harper and Michael Stuhlbarg, and a scene-stealing turn by Mark Rylance.After the opening credits, which usually come at the end of a movie, writer-director Todd Field offers a scene of Lydia Tár being interviewed before an audience.

That’s followed by a scene of Tar lecturing her class. Field seems to be issuing a challenge to the audience: “This is what the film is. Are you with us or not?” “Everything Everywhere” has received attention as the year’s trippiest movie. But director George Miller’s film also qualifies, as he once again defies expectations with a thoughtful work that’s gorgeous to look at. It didn’t set the B.O. on fire, but it will clearly gain followers over the years.

In addition to these, some movies offered a reminder that, in the right hands, a sequel CAN be imaginative, daring and original.After 30 years of Batman movies, from Tim Burton’s 1989 game-changer and including Christopher Nolan’s trilogy, some audiences may have believed they didn’t need another one. However, Matt Reeves, cowriter Peter Craig and their colleagues showed that there is plenty more to say.

 

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You literally posted a worst of 2022 list with the same film on the cover. Are you celebrating films or shitting on them? The worst of lists have got to go.

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