he Beatles’ career has been so exhaustively documented, chronicled and bootlegged, it can feel as if there aren’t many surprises left to uncover. But the footage in Peter Jackson’s recent documentary on the band,, certainly proved that assumption wrong … particularly the mind-blowing jam session where the band conjure the documentary’s title track out of thin air.
Recorded between early April and the end of June that year, Revolver is a patchwork of moods and styles: psychedelic jangle, orchestral pop, R&B-influenced rock and robust folk.
As he did on other recent Beatles reissues, George Martin’s son Giles handles production and remixing duties on Revolver. The younger Martin wisely doesn’t calibrate the records for 21st-century ears by adding modern polish and trickery. Instead, his approach involves amplifying the existing nuances of the music from a contemporary perspective, meaning even familiar songs sound fresher.
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