with the vast majority of the outrage directed squarely at the Art Institute. Critics accused the museum of gay erasure. One user compared the change to Nazi book burnings.
“They didn’t offer any explanation at all as to why the description was originally changed, or why it was changed back,” Thriffiley said.new textThe museum stressed that curatorial decisions are guided by the cooperation and participation of an artist’s estate. In a phone conversation and written statement shared with the Tribune, a spokesperson for the Gonzalez-Torres Foundation once again asserted this plurality as being central to Gonzalez-Torres’s ethos and work.
The text also resolves the 2015-2017 label’s slippage around the phrase “ideal weight.” Gonzalez-Torres’s candy works — and there are 20 of them, all of which are interactive, depleting and repleting over time — almost all mention an “ideal” or “original” weight or height. The text also corrected his birth year to 1957.at Northwestern University, has published extensively on Gonzalez-Torres, most recently in his 2018 book “After the Party: A Manifesto for Queer of Color Life.
“I can understand that person’s reaction, but also, Ross is in the title. Felix secured for the rest of all time that there would be a reference to Ross .”Of Gonzalez-Torres’s 20 candy works, three are “portraits.” “‘Untitled’ ,” made the same year as “‘Untitled’ ,” uses the same “ideal weight” specified in the latter: 175 pounds. Meanwhile, the weight for “‘Untitled’ ,” also from 1991, specifies an “ideal weight” of 355 pounds, or roughly the weight of two men together.
“His in the same gallery is a mixture of events from his personal life, events from American history, and more recent events in queer history. It’s a deliberate blending of the very personal and a larger community and history,” Thriffiley said.to the Art Institute’s Modern Wing, the room around Gonzalez-Torres’s extraordinary work of art seemed pretty, well, ordinary, though a nearby guard observed that the area was seeing higher-than-average foot traffic.
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