maybe filtered down into it by nature of your interest in Thin Lizzy.
I feel it’s pretty self-obsessed compared to other records. It’s told from the perspective of a nameless narrator, who is not me, literally, but similar to me in most ways. He’s not the world’s most fictional character. I have had these experiences the past couple years that have led me to think about the world and my place in it in a slightly different way.
The natural world, like, a prehuman world, if we could imagine, it was a very violent place. It continues to be. There’s still lions eating wildebeest out there somewhere. That’s part of how we keep the machine from overloading, as you say. That’s part of God’s plan, for lack of a better term. In this particular song, I’m kind of thinking about how the violence animals commit against each other is necessary and not evil and malicious. They’re programmed to do it.
This album is, in a lot of ways, a response to the loss of my cousin Matt Miller, a wonderful guy I loved very much. When he passed away, it was very painful. It was a terrible experience that continues to be difficult. I probably will never be all the way done processing it, I imagine. He was such an important person in my life.
To me, it sounds like a really lonely, empty existence. In that particular song, through the character of the narrator, I decide that we get the better end of the bargain when we open our hearts to love, even though we know that we’re opening them to pain also. I say,That’s my stance.
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