Dispatch From Venice: Andrew Dominik’s ‘Blonde’ Is a Biopic in Anarchy Mode

What is true and what is not about the life of Marilyn Monroe? It’s a question Andrew Dominik’s—the new, nebulous sort-of biopic of the star—refuses to clarify. Instead, the gray areas, the unknown gaps in her story, are filled in with a make-believe lacquer.

, follows much the same path. It opens in 1933: Hollywood is literally on fire, and a young Norma Jeane Mortenson is being driven straight into the flames by her mother, who insists that on the other side of the inferno they’ll find refuge in the house of Norma Jean’s birth father, an influential industry figure who’s been distant for years.

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