was actually intended to be a straight-up sequel to Hill and Grier’s previous hit,until studio execs pulled a last-minute U-turn. The resulting film was divisive among critics –called it “another movie about vengeance, vigilantes, dope, call girls and violence interspersed with sex, vulgarity and hatred” – but it ended up being a financial success and, later, an influential cult classic.
Opening with a psychedelic, James Bond-like title sequence – in which Grier dances in colourful silhouettes to Willie Hutch’s ultra-funky score – the film quickly switches in tone as a shifty drug peddler is pursued down a dark street. The harried Link Brown , Foxy’s kid brother, then finds himself cornered at a hot dog stand – until the titular heroine shows up in a red Dodge Charger to save the day.
heavy Tony Giorgio – don’t give up there. Before long, Foxy Brown finds close allies picked off one by one, inspiring a personal vendetta for vigilante justice. Amid plane hijackings and sawn-off shotgun slayings, Foxy Brown kicks ass left right and centre hereafter, dropping outrageous one-liners all the while. And thanks in part tostylist Ruthie West, the film’s costume designer, she looks consistently fabulous while she does it.
Cue a heap of feather boas, bell bottoms and afro-haired beauties in this action-packed romp teeming with 70s style. But while the superfluous funk music, daring rooftop foot-chases, cigar-smoking sleuths and switchblade assassins ensure that this is a fun-filled outing from start to finish, there’s also a top-notch cast of blaxploitation legends whose presence elevates the entire production.Yaphet Kotto plays a smooth-talking, suit-wearing private investigator here.
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