You come away from a conversation with Mari Maurice with homework. To listen to the ahead-of-its-time 1999 Jimmy Eat World album, which she says would be highly regarded if released by a young band today. To check out the country music history podcast, which once explored the telepathic relationship between Buck Owens and his guitarist Don Rich.
"She'll text me, 'Hey, I don't know if I really dug the third track on this record,' about something I've never even heard," recaps best friend Rousay."She's never pretentious about it. She consumes so much media that everything she does is informed by everything, and I don't know very many people like that."You can't put her in a box, because she's constantly building the box.
Arguing that she does indeed rest between her seemingly constant stream of creative output and day job, she adds,"Since getting back from tour and having COVID, I've done nothing this week other than watch"When I watch, I'm like, 'Damn, Shiv is so hot,'" Rousay exemplifies."When Mari watches, she's like, 'Did you know in this scene there's some tension here?' and sending me articles about it.
Maurice earned local recognition for her teenage recordings, once opening for Bill Callahan. She moved into electronic creation while studying at San Antonio's Trinity University.
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