‘America Latina’ Review: Italy’s D’Innocenzo Brothers Are Guilty of Empty Posturing in This Pretty, Muddled Puzzle

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It’s been a while since Italian cinema has raised a major enfant terrible, but the country’s film industry firmly believes it has a pair in twin brothers Damiano and Fabio D’Innoc…

, but the country’s film industry firmly believes it has a pair in twin brothers Damiano and Fabio D’Innocenzo. Hot off a co-writing credit on Matteo Garrone’s “Dogman,” the duo made a splash and won a prize at last year’s Berlinale with their sophomore feature, the sleek, bleak, nihilistic suburban nightmare “Bad Tales.

If Latina seems an uninviting setting, a series of gliding car-view shots over the opening credits eventually prove the worth of Massimo’s decision to settle there. A pretzel of scabby highways and exits finally curves into the long driveway of his rather magnificent house: an angular modernist beauty, all floating curves and sun-bleached terrazzo, that nonetheless has a telling air of decay to it.

 

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