Anxious to get back out on the street, Gyllenhaal’s Joe Baylor is an LAPD cop relegated to 911 duty , robotically taking the usual crackpot calls against the imposing backdrop wall of huge TV news monitors displaying raging wildfires that threaten to engulf the city.
Doing the best he can given the limited information and resources at his disposal, Baylor battles a ticking clock to save the woman and, in the process, find some much-needed redemption where his own culpable past is concerned. Played out in real time on what is essentially a single set, the production mines all the energy it requires from Fuqua’s precise direction, which wisely keeps the focus nice and tight on Gyllenhaal, capturing every feverish moment of his palpable anguish. Perhaps, in this case, a bit too palpable.
The Guilty
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