Combining ecological mystery, body horror, and feminist energy, The Beach House offers a whole new take on the ‘final girl’ trope. This horror flick follows two young lovers whose seaside getaway takes a turn as a parasite infiltrates their sleepy beach town, leaving them on their own to find a way out. Adding to its edge is the film’s timely portrait of abandoned homes and empty beaches – a sight that is spookily reminiscent of summer 2020, COVID-19 style.
Watching The Beach House amidst COVID-19 definitely felt a little close to home. Do you think that viewers will find it much more relatable than you expected when you were filming? Emily’s character in The Beach House is not your typical ‘final girl’ – she studies organic chemistry and wants to go to graduate school for astrobiology. I was wondering, are you interested in science? What was your process for getting into character for Emily?
The Beach House is not your first experience with horror—we also get to see you as McKenna in Light as a Feather. I’m interested in your take on horror in general, as a genre. What do you like about it? What don’t you like about it?
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