How Artist Julie Curtiss is Making Waves with Her Quirky, Macabre Neo-Surrealism

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Inside the studio of art-world sensation Julie Curtiss.

Raised as an only child, Curtiss spent a lot of time drawing. For years she wanted to be an illustrator, but just before enrolling in the École des Beaux-Arts she changed her mind. At the Beaux-Arts, she experimented with “creepy” sculptured heads made out of coconuts, with her hair and her baby teeth molded into them. “They were really intimate and dark, like shrunken heads,” or like the Japanese Noh masks that fascinated her.

The real life-changer was when she met Clinton King, a sculptor and performance artist who had just gotten his master’s degree from the Art Institute, in 2006. “I laid eyes on her at a karaoke bar in Chicago one night and said to my friends, ‘I’m going to marry that woman,’ ” King tells me. “It was a real case of love at first sight, which is dangerous.” They were two very different people who had a lot in common.

 

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_WhiteCube And what a very tidy studio it is.

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