, you never quite know what he's going to do next. His contents page grows lengthy; an IKEA collaboration, a lecture at Harvard, transparent suitcases, a set at Coachella, rainbow effigies, an entire pop-up store built in neon-green to the viral Meteor bag, an objet d'art in its own right.
Underscoring every stitch, every hem, every zipper and every button hole, there's always an abstract or weighted school of thought at work for Virgil Abloh. And after his anticipated return to work in November following medical leave, the Renaissance soul roused a serendipitous performance, quipped "Slightly Off," forAW20, naturally bookended with speech marks.
The tact, as per usual when it comes to Abloh, lies in sociological critique. His clothes go beyond a decorative function but react, inspire and rouse debate in society - and there's no denying that Abloh knows his interdisciplinary consumer: an advocate for the interchangeable trainers to heels, reflectant of their schedules.
But more significantly, Abloh's new preposition for glamour proved his refusal to be shoehorned into one genre. In the response he gave to Tyler the Creator's recent victory at thes, critical of the industry's categorisation, this collection proved the capabilities of a designer whose accomplishments go beyond a subculture.
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Source: The Mirror - 🏆 136. / 51 Read more »