‘Parasite’ Puts Modern Spin on Film’s Long History of Haves vs Have-Nots

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Every filmmaker hopes to make a good movie, but sometimes the impact is bigger than expected. Neon’s “Parasite” is one example of a 2019 film hitting a nerve. Writer-director Bong Joon Ho’s film ha…

,” “Knives Out” and the French “Les Miserables,” to name a few. It’s not a new theme: In prehistoric times, some people were no doubt troubled that other cave dwellers had more than they did.

Movie versions of F. Scott Fitzgerald’s 1925 “The Great Gatsby” often treat it as a romance; in fact, it’s an anti-romance about a man who slowly realizes he will never fit in with the upper crust that he aspires to.The subject of income disparity has been given film treatment multiple times, especially during the Depression, the 1960s-70s — and now, with “Parasite” and the others.” is rooted in DC Comics, and many have cited the influence of “Taxi Driver” and “The King of Comedy.

In the 1970s, there were plenty of films about working-class lives, including “Rocky,” “American Graffiti,” “Halloween” and “The Deer Hunter,” but the movies didn’t focus on economics. The gap between haves and have-nots was often used as a barrier for romance, ranging from “Sabrina” and “How to Marry a Millionaire” to “Pretty Woman” and “Titanic.” In other words, the disparity was a plot device, but it wasn’t explored.

 

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