But while there are natural ties between the two dramas, trying to line up storylines, share casts — who film on different lots — and find the right balance for the shows is a constant juggle.
“My top priority was character work and finding stories that excited me,” she says. “So I had to start at the beginning, which is falling in love with the world of first responders, the characters, figuring out what I still wanted to know about them and what I wanted to discover.” “[Doss and Williams] were playing scenes on ‘Station 19’ without knowing what happened really between them on ‘Grey’s Anatomy’ the eight episodes prior,” Vernoff recalls. “They’re calling me and going, ‘We’re having this fight, but what has happened? How close are we? How long have we been together?’ And the two writers’ rooms, side by side, have some answers to those questions.”
“John Wells, who has sort of seen and done everything, just has a way of helping me remember that it’s not brain surgery,” Vernoff says. “It just quiets me down a little internally. Shonda just laughs and thinks this is delightful to watch me go through [this].” Ending “Grey’s Anatomy’s” 2019 run with a car crashing through Joe’s bar also served as a natural bridge into “Station 19.”
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