McQueen, who was born in London to parents from Grenada and Trinidad, rose to prominence as a visual artist in the nineteen-nineties, but he is better known as the director of narrative films, such as “Shame” and the Oscar-winning “12 Years a Slave.” He had been in New York for a week to prepare his Dia Beacon installation, “Bass,” which consists of sixty light boxes set into the ceiling of the museum’s basement, with a soundtrack of improvised jazz.
’ ” Would he ever make his own romantic comedy? “No,” he said. “Maybe. No.” McQueen’s career is expansive. He has made films about a hunger strike, sex addiction, and a female-led heist. He won the Turner Prize, given annually to a British visual artist, in 1999. His recent projects have included “Small Axe,” a film series about the Windrush generation, and “Occupied City,” a documentary he directed which is based on a book by his wife, Bianca Stigter, about Amsterdam under the Nazis.
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