on the Jewish founders of Hollywood that opened in May at the Academy Museum, and came away impressed. , the museum bowed to the pressure and has since announced its intent to revise the exhibition and address some of the language that was deemed objectionable.
The length of the exhibition’s rear wall is devoted to the history of each studio and the moguls who founded them. Not all of the stories are flattering, but this history is complex. In the panel devoted to Universal Studios, Carl Laemmle is noted as rising from errand boy to running the studio, “where his kindness and nepotism earned him the moniker Uncle CarI.”
Other inclusions are not so complimentary, even including some of the founders’ personal details: While Cohn was a family man, Warner was a man-about-town — someone who might have Notable in the exhibition is that, with rare exceptions, the word “Jew” was seldom heard onscreen. Acts with overly Jewish names were encouraged to Americanize them. And so these men — I am being gender specific — created an imaginary America with white picket fences and liberty and freedom for all. Imaginary? Think of Irving Berlin, a Russian Jew, who wrote “I’m dreaming of a white Christmas/ Just like the one I used to know.
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