, it’s hard to imagine the artist ever being nervous. She can sing in a way that sounds tender and vulnerable, yet there’s a strength about her, too. Her cello — her main instrument, though she incorporates other acoustic and electronic sounds into her productions — can conjure any feeling, from sweet to scary.
“It’s a good but weird feeling,” she says as she sips mezcal with tonic water at a quaint cantina near her apartment in the Obrera neighborhood in Mexico Citymight be more traditional in structure but these songs possess a daring spirit. Fratti’s emotional delivery is more resonant than ever, reminding listeners of the qualities that have won her praise around the world and rallied fans in Latin America, U.S.
Pedro Y El Lobo Studios, both in Mexico City, adding drummer Gibrán Andrade and trumpet player Jacob Wick to the team. They also worked in Willem Twee Studios in Den Bosch in the Netherlands. As the album came together, it captured the best of Fratti’s performance with “just EQ and compression.”is an evolution for Fratti. She had a “strictly classical” musical upbringing in Guatemala City, where she grew up.