Fashion editors are at this point well-accustomed to being flown out to exotic corners of the earth to get a first glimpse of the collections.
Testament to the house’s storied relationship with bonnie Scotland—Monsieur Dior laid on a number of shows in the same area during the ’50s—Chiuri collaborated with Johnstons of Elgin, Esk Cashmere, Robert Mackie and Le Kilt on a collection that bottled the defiant spirit of Mary Queen of Scots in plaid bar jackets, martial corsets, leather chokers, chainmail columns and wipe-clean puffball dresses emblazoned with embattled slogans, such as “nag”, “difficult” and “hysterical”.
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