Ventana Sur: Producers Discuss Complexity of Fiction Remakes

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BUENOS AIRES — Esteemed Argentine film producers gathered to relay their experiences with fiction remakes as part of Ventana Sur’s industry conference series held at the UCA campus in Buenos …

BUENOS AIRES — Esteemed Argentine film producers gathered to relay their experiences with fiction remakes as part ofThe panelists included Juan Vera and Marcos Carnevale, directors who sold the rights to their films “Mama Se Fue De Viaje,” and “Elsa y Fred,” respectively, as well as Sebastián Aloi, who produced “Re Loca,” the remake of Chilean film “Sin Filtro.

Even when the theme is universal, the panel cautioned that certain intricate cultural details should be understood and maintained for a successful remake, going on to discuss the importance of keeping certain films closer to the societies they’re conceived within.“In the case of ‘Nueve Reinas,’ remade as ‘Criminal,’ in the United States, it lost all of its authenticity and humility. It was a failure,” Vera said.

“Remakes are convenient when they pose a challenge. I like to ask myself what I could do differently here,” Carnavale remarked. Castellanos doubled down on the notion that overall success lies in choosing a familiar story that’s done well at the box office and can travel, then helping that story along by selecting the right director.

 

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