—in breaking down the creation of two spectacular sets, as well as the process of executing moments of complex action within them.: Designing Shangri-La was the biggest challenge as it was the only location that doesn’t exist. Chris wanted it to feel like a reward to the viewer, something truly wondrous.
Stage tests were done with different types of materials. The animators got great results cutting into silicone. It looked like ice cracking, but the problem was that the rest of the icicles didn’t look like ice. They ended up creating two separate icicles—a silicone version for animated cracking, and a plastic resin version which was photographed in multiple lighting scenarios, in order to achieve the necessary reflective and refractive qualities of ice.
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