, which he resurrected more or less from obscurity, and expectations were high that he would revive this sleepy luxury label, too.
He did so with subversive nods to streetwear and an edgy, undone sort of glamour. There were draped blousons and matching pencil skirts, asymmetrical biker jackets thrown over sheer tanks, slinky slip dresses, and thousands of delicate feather embellishments that spoke to the label’s trademark ethereality. The gowns brought the drama, with their spiraling silhouettes and raw, floaty edges.
How fitting for today? We’re living in a fashion moment where sexy undergarments are surfacing as day wear, one in which couture-like, handmade details are turning on a generation that values timelessness and the unique. Theyskens’s fall 2007 collection for Nina Ricci spoke to a new audience that was interested in dressing “cooler [and] more modern, not naive or whimsical,” as he told Style.com.
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