is a bit of a punchline of a score, which is very unfair because it’s an amazing score. It’s an incredibly brave decision to make a period drama and score using synthesizers. That for me is what cinema is about — brave decisions and creating new emotions, rather than reheating old ones,” says the composer.
“He wasn’t looking for a synthesized score, he was looking for something that viewed the subject matter from a different angle just like in the same way that viewed a period English drama from a different angle. We discussed how we could viewfrom a different angle; how do we not go straight down the route of a traditional noir score,” continues Pemberton.
Jazz is an integral character in the film with Michael K. Williams playing a trumpeter in the film, and key sequences taking place at the music club, The Rooster. “ why don’t we take the sounds of the period and the time and the world and in the instrumentation approached that from today, like a modern approach. I wanted to limit the palette of instrumentation to pretty much instruments you see in the film which is most of the time, trumpet, saxophone, double bass, piano and drums,” says Pemberton.and the title song from the Matthew McConaughey feature episode “USS Callister”. Next up, you can hear Pemberton again in February on Warner Bros.
80's guitar rock for BOP?🤔
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