For the first time, China banned its movies and moviemakers from Taiwan’s Golden Horse Awards, nicknamed the “Chinese Oscars” and long considered the most prestigious awards for Chinese-language movies since their establishment in 1962.
Live TV broadcasts of the awards ceremony in mainland China went dark. Chinese actress Gong Li refused to go onstage with Oscar-winning Taiwanese director and chair of the Golden Horse Committee Ang Lee. Chinese participants reportedly left immediately after the ceremony, skipping the after-party.Since then, political tensions have only intensified.
Beijing’s response has been angry defense of its sovereignty while accusing foreign powers of interference and doubling down on ideological control at home. at the opening ceremony, calling on filmmakers to study the “important guiding spirit of General Secretary Xi Jinping,” implement “socialist core values” and build “Chinese spirit, Chinese values, Chinese power.”, pledging one by one to make films that showcase China to the world.
“They want cultural authority,” said Wang Zhuoyi, a professor of Chinese-language cinema at Hamilton College in New York. “They want to set the standards.” Zhang said his goal is to create films that reflect ordinary Chinese people’s experiences and emotions. One of those emotions, especially among Chinese youth today, is patriotism.
The combination of commercial filmmaking and government messaging is proving successful within mainland China, even if the rest of the world doesn’t care to watch patriotic Chinese films. The film confronts Chinese viewers as both victims and perpetrators of racism by depicting Malay privilege over the Chinese and Chinese privilege over indigenous people in Malaysia.
This is alarming...to see such big names in directing and acting toeing the line on censorship so publicly.
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