Subkoff has been scandalizing the masses since 2001, when Imitation of Christ premiered its spring line in a Lower Manhattan funeral parlor. With Imitation, Subkoff married her lust for the subversive with a prophetic critique of sustainability practices in the fashion industry, drawing large audiences with provocative
I try to use that as fuel to propel me to work, because I know how precious time is, and who knows how much any of us really has left?SUBKOFF: Really, all of these were props for the performance. I had Eve, a character from the film, lie on the bed as it rotated and take selfies with her phone. Hopefully these pieces also stand alone as sculptures. This one was just bought by the MOMA in Amsterdam.Yeah, we’re always looking at a mirror in some way.
ou can tell I went through a very abusive divorce. So a lot of this is personal too, you know? I think that this video piece is a lot about being replaced. It’s a lot about not being valued as a human being. It’s a lot about where we’re heading as a culture with the idea of humanoid companions and the idealized woman.
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