Nils Frahm’s music feels most alive when you’re witnessing it in concert, so it makes sense that Spaces, a collection of field recordings made over two years, is his most immersive and dynamic. The shifting energy is due to how no single performance is ever the same; the one constant is the German composer’s joy in creating sound, and the spaces in between. “I have learnt, when things are beautiful, to just keep on,” confides Callahan on the most laconic and nuanced album of his career.
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