The Black Keys Shred With Eagles Guitarist Joe Walsh, Plus More Highlights From Crowd-Pleasing LA Show

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Here are some highlights from theblackkeys' show at theforum

"We are beyond honored to have a guest come out and play with us tonight. Someone who we all up here onstage idolized over the years,” said Auerbach while introducing the guitar legend. “Not just because he's an amazing musician, but because he was from our own backyard, from northeastern Ohio.”

Once Walsh took the stage to a thunderous reception from the crowd, Auerbach launched into a tribute to cult-favorite Cleveland guitar legend “Incredibly enough, when I was 16 years old, I went to see this guitar player in Cleveland, Ohio, and his name was Glenn Schwartz. You guys may not know him, but he was really important to me, and he blew my f---ing mind when I was 16,” Auerbach continued, noting that the guitar he held was the same one Schwartz played the first night he saw him perform.

following the latter’s departure from the group -- went on to assist Auerbach and Carney in a searing cover of Schwartz’s song “Water Street," a cut from the guiatrist's Tolkien-influenced 1976 album as part of the gospel-rock group All Saved Freak Band. Walsh remained onstage for a rendition of the Keys’ 2010 track “She’s Long Gone” before taking a bow.

Aside from the Schwartz interlude, Auerbach kept his onstage banter to a minimum, instead letting the group’s music do the talking. The 21-song set kicked off with a lively performance of “I Got Mine” off the group’s 2008 album, immediately followed by two songs from their latest album, “Eagle Birds” and “Tell Me Lies.” That early juxtaposition between old and new set the stage for the rest of the night, which represented a satisfying cross-section of the Keys’ impressive discography.

Auerbach paid tribute to his and Carney’s humble beginnings with performances of 2006’s “Your Touch” and 2003’s “Thickfreakness” -- “We’re gonna go down in the basement in Akron and play some music for you,” Auerbach said before launching into the former -- though the set leaned heavily on songs from the Keys’ mainstream breakthrough, with crowd-pleasing performances of tracks including “Howlin’ for You,” “Next Girl,” “Ten Cent Pistol” and “Everlasting Light,” the latter of which saw Auerbach...

 

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