How did this documentary come about and how’d you both get involved?
How much input did the three people listed as executive producers — Terrence, Liza, and FAE’s Sarah Stennent — have in the film? RS: My favorite reaction was from people who had known who Gus was but he didn’t interest them; they wrote him off, thought he was just another one of those guys with face tattoos, and said this film made them look at it in a different way. That, to me, was the goal: to turn someone from actively disliking to thinking, ‘Wow, I understand now. I get who this person is now and I shouldn’t have made a flash judgment.’SJ: That album came together after the doc was already done.
“My favorite reaction was from people who had known who Gus was, but he didn’t interest them … and said this film made them look at it in a different way” – Ramez Silyanagainst First Access Entertainment alleging that the company played a role in her son’s death. Did you guys know that was happening while you were putting the film together?
and this therapy session
Who?
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